Le matériel du groupe

Sujet: Re: Le matériel du groupe Lun 17 Jan 2011 - 21:28

epymethee a écrit:

Sebby a écrit:

Hoan a écrit:

- Tim quand à lui à toujours joué sur des basses modèle Thunderbird, une de chez Gibson, et une Goth (noire mate) de chez Epiphone !^

C'est rare de voir des "pros" jouer sur une Epi :o

Quoi?? On joue sur moi???

Quelle humour!!

Mais c'est pas faut...

Sujet: Re: Le matériel du groupe Mar 18 Jan 2011 - 12:29

J'avais traduit un article ou Shannon décrivait sa batterie, pour ceux que sa interresse

Batterie :

Sonor
8” x 8”, 10” x 8”, 12” x 8”
14”x 8” Tomtom;
18” x 16”, 16” x 16” Floortom
20” x 20” Bassdrum
14” x 5.5” Brass Artist Caisse claire
13” x 5.5” Maple Artist Caisse claire

Charleston :
Sabian :

14” AA Rock Hats
10” AAX Splash, 19” AAXplosion Crash
20” AAX Stage Crash
21” HHX Raw Bell Ride
19” AAXTREME Chinese
14” AAX Mini China

Drumhead :

Remo

Clear Pinstripe (Toms), Clear Powersonic (Bassdrum), Emperor X (Snare), Remo Controlled Sound Snare
head, DW Custom Built Rack, DW 8000 Single- and double foot pedal.

Electronique :
Roland PD-8 Trigger Pads, KD-7 Kick Trigger Pad, TD-12 Drum Brain Butt Kicker System

Sujet: Re: Le matériel du groupe Mar 18 Jan 2011 - 19:21

Merci pour ces précisions natsukii!

Sujet: Re: Le matériel du groupe Mer 19 Jan 2011 - 0:05

Sebby a écrit:

Hoan a écrit:

- Tim quand à lui à toujours joué sur des basses modèle Thunderbird, une de chez Gibson, et une Goth (noire mate) de chez Epiphone !^

C'est rare de voir des "pros" jouer sur une Epi :o

Pas du tout au contraire, on voit plus de "pros" joué sur epiphone que sur squier (by fender) par exemple:
FRANK IERO, plus particulièrement avec sa fameuse pansy ;)

Je ne sais pas si on en a déjà parlé here, mais depuis la tournée into the wild, Jared, Tomo et shannon utilisent le même model de guitare electro-acoustique appartenant a la marque WASHBURN, (bien que quelque fois jared utilise une Gibson)

Timide, mais je me soigne... Date d'inscription: 06/02/2011

Merci pour tout ces descriptifs super interressants

!

En visionnant "A beautiful Lie" pour la première fois, ma petite soeur de 8 ans m'a soutenu que Shannon avait les mêmes baguettes qu'elle. Et manifestement, elle avait raison, ce sont bien des Vic Firth

Par contre, j'vois toujours pas comment elle a réussi à reconnaitre la marque des baguettes en regardant 1 seul clip, sans jamais avoir entendu parler de Charette et compagnie avant

!

Mars Army Soldier Date d'inscription: 11/07/2010 Localisation: Toulouse

[img]

[/img]

Quelque chose sur le bol en cristal sur lequel joue Shannon???

Appelez moi Echelon Date d'inscription: 31/01/2010

heaven a écrit:

[img]

[/img]

Quelque chose sur le bol en cristal sur lequel joue Shannon???

Bah à part qu'il est en cistal, comme tu l'as dit non =/
Mais merci de l'avoir fait remarquer, faudrait que je me renseigne voir si je trouve pas quelques infos

Petit nouveau Date d'inscription: 16/05/2010

Marty Piou-Piou a écrit:

RE EDIT : PHOTO PARFAITE !

Merci pour cette photo super propre! Je suis passioné d'effets donc je peux détailler un peu plus...
Il utilise beaucoup de Boss (TU 2, Super Shifter, Phaser Shifter, Flanger, RC 20, Giga Delay et le space chorus). Il utilise également divers pédales dont des OCB et Whammy 4 ainsi qu'une pedale de volume ernie ball et une wah boss ou vox. Le tout est alimenté par Morley et on remarque que son pedalboard continu sur la gauche de la photo...

merci indaure!! même si pour moi c'est du chinois, mais si tu peux détailler le matos comme tu le fais, n'hésites surtout pas!!

_____________________________

Appelez moi Echelon Date d'inscription: 31/01/2010

Merci beaucoup pour ces détails

heaven a écrit:

[img]

[/img]

Quelque chose sur le bol en cristal sur lequel joue Shannon???

C'est un bol en cristal tibétain ou appelé aussi bol chantant.Utilisé généralement pour les prières.

Citation:

Back in 2002 when Thirty Seconds To Mars were
slogging round playing club gigs, adoration was thin on the ground, with
the LA band widely dismissed as a vehicle for Hollywood heart-throb
Jared Leto to live out a second schoolboy fantasy as a rock frontman.
But nobody is sneering now…30STM's third album, 2009's
This Is War, is a death-or-glory classic written as the band battled a
lawsuit from their label, which bottles all the fury and defiance and
features Jared's brother Shannon's most combative drumming to date.Rhythm
caught up with Shannon last year to take a closer look at his massive
Sonor SQ2 setup, and find out what it takes to play that album live.
Here - among the shots of the aforementioned kit you'll see in this
gallery - are snippets from the interview, rounded off with a word from
Shannon's drum tech, Kentucky.

[b]First up: Shannon Leto's drum setup…[/b]

Drums

Sonor SQ2
Maple/Birch Hybrid Eco kit in ‘Echelon’ finish: 20"x19" kick; 8"x8",
10"x8", 12"x8", 14"x8" rack toms; 16"x16", 18"x16" floor toms (all with
chrome hardware)

Snare drums

Sonor:
14"x8" 23-ply hybrid maple/birch snare (with chrome hardware); 14"x6"
Bronze artist series snare (with black chrome hardware); 13"x5" 28-ply
artist series Beachwood Camo finish snare (with gold hardware)

Cymbals

Sabian:
21” HHX Raw Bell Dry ride; 20” AAX Stage crash; 19” AAXplosion; 19”
AAXtreme Chinese; 14” AA Rock hats; 14” AAX Mini Chinese; 10” AAX
splash; 8” Chopper; 8” AA China splash

Hardware

DW:
8002 double kick pedal, 8000 hi-hat, 8000 single kick pedal for E-kick,
custom-designed 9000 rack system with 9000 cymbal booms and no leg
snare baskets, and mic stands; Roc-n-Soc throne

Electronics

Roland
electronics (8 x PD-8 drum pads, KD-7, TD-12), (Alesis DM5, Peavey
CS-3000, DDrum Kick Trigger used to run the Buttkicker)

Heads, sticks and extras

Vic
Firth 5A Nylon sticks, Remo heads, Treehouse chimes; Buttkicker Concert
shaker; Woodshed Percussion, Westone ES3X custom ear molds, Crystal
Tibetan singing bowl, Shure microphones, Dragon Custom road Cases

The tom intro to Night Of The Hunter is amazing…[

"That’s
one of my favourites too. It took me 10 days just to come up with that
tom sound that you’re hearing. I had the sound in my head, and it just
wasn’t… right. I didn’t want a Peter Gabriel-type gated thing, or a
typical ’80s gated tom thing, it was a little dirtier than that. It just
took time. And I wanted it right."I was very specific in what I
wanted and [producers] Steve Lillywhite and Flood knew how to get there.
Some tracks took months and months just to figure out what I was going
to do. And then the beats would change."This Is War took a little while. Whereas Alibi was really easy."

So what’s the secret to your huge sound?

"It’s
just taking the time. I tune ’em the way I want ’em. I choose the drum
heads and the tom sizes, then we mic it a bunch of different ways. We
mic windows, we mic hallways, we mic the drums themselves, we mic in the
next room, we even mic outside to get that ambience."We mic the hell out of it. And my drums are high in the mix. It was intentional."

The beats on tracks like Hurricane sound futuristic… how did you manage to achieve that sound?

"It’s
all organic, man. All the samples I use to help the drums to pop
through those choruses that are full of guitars and keyboards, I made
them all. I made them in a kitchen, basically."I had a snare, and
the acoustics in the studio kitchen were amazing, and they helped
create that ‘pop’ I needed. Then I put that on top of my snare for
certain parts, and the rest is history."

Your Sonor ‘hybrid’ drum kit must play a big part, tonally?

"It’s
a maple/birch combination - like seven or eight ply - and it’s the
first one that’s ever been done by Sonor. And the glue and the stain and
where they got the tree is all eco-friendly, which was really
important. I also had the fans - the Echelon - send in their pictures
and they’ve been wrapped around my kit, as a kind of a thank you."My
first snare drum was a Sonor when I was a little kid, so I’ve always
stuck with them. I’ve never owned anything else, but I have messed
around with other drums and for some reason, Sonor works for me. They
sound the best."As for the Tibetan singing bowl [on the track
L490], I was in the mountains of Utah doing some meditation, and someone
had this singing bowl, and it was amazing. It’s like sound therapy.
They bring the cancer patients and they do sound therapy to help shrink
it. So I purchased one of those and started messing around with it, and I
thought, wouldn’t it be an amazing idea to put this on the album? So I
did."

Has it been a challenge to recreate the new album live?

"No,
in fact it has been translating really well. But the studio and live
are two different animals, man. You don’t try to mimic exactly what was
going on in that recording process - you will kill yourself trying to do
that. Live is an interpretation of the recording. Each time I play is a
different experience."I have the general beat that I play, but I
kinda dance around it a little bit, and that makes it exciting for me,
and more spontaneous. Otherwise I just feel like a robot. The Kill, I’ll
dance around on that. And I’ll dance around on The Fantasy, off our old
album."I’ll stick to the heart of it - I don’t dance so much
that I lose people, or myself - but I will play around with it, add a
couple of things here and there, so that I don’t get bored."

How about the electronic sounds - how do you tackle those?

"All
the sounds that you hear on the album are gonna be played live. We’re
not going to be playing to a tape or anything. We have keyboards and
trigger pads, and I have nine pads throughout my kit, so I’m triggering a
lot as well. What we did was just break up those sounds and assign them
to each pad."

shannon's drum tech kentucky on live sounds

"The
challenge is reproducing the different sounds and doing them justice
live. Some things are in the hands of the front-of-house engineer. With
other things, Shannon and I have little tricks, like dropping snares off
while he’s playing a fill to go into a part where strands aren’t used
on the snare, then flipping them back on."The record is very
electronic and synth-heavy, so to play all these sounds we brought a
bunch of V-Drum pads in to give us versatility. A song like Hurricane
has three different snares and three different kick sounds, as well as
other one-hit sounds, so currently Shannon is playing a nine-piece kit,
with nine electronic pads, chimes and a mess of cymbals."But Shannon’s sound is his technique. He’s an animal behind that kit, so I love giving him tons of things to beat up!"

credit : [Vous devez être inscrit et connecté pour voir ce lien]

_____________________________

Sujet: Re: Le matériel du groupe Lun 30 Jan 2012 - 22:21

le topic est pas tout jeune mais je me devais de le remonter pour féliciter les gens qui ont apporté des précisions très intéressantes (même si fatalement la basse est un peu laissée de côté)

Je m'y connais pas trop en marques US mais les Américains ont l'air de beaucoup jouer sur Gibson, si je ne m'abuse!!

Appelez moi Echelon Date d'inscription: 31/01/2010

Tricksy a écrit:

le topic est pas tout jeune mais je me devais de le remonter pour féliciter les gens qui ont apporté des précisions très intéressantes (même si fatalement la basse est un peu laissée de côté)

Je m'y connais pas trop en marques US mais les Américains ont l'air de beaucoup jouer sur Gibson, si je ne m'abuse!!

Merci à toi Embarassed